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Sarrita King | 'Gurindji, 2025' | 50x90cm

Sarrita King | 'Gurindji, 2025' | 50x90cm

Regular price $1,495.00 AUD
Regular price $1,995.00 AUD Sale price $1,495.00 AUD
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Code: DDSK25223

Artist: Sarrita King

Area: Darwin, NT

Community: Gurindji / Waanyi

Title: Gurindji

Medium: Acrylic On Canvas

Size: 50x90cm

Year: 2025


Titled for her paternal language group, this work is an intimate meditation on ancestry, a quiet homage to the Gurindji people, whose long walk from Wave Hill Station became a turning point in Australian history. Painted in muted olives, mossy greens and dusty creams, the canvas hums with the layered presence of Country seen from above, as if the artist were drifting over the lands her ancestors have travelled for tens of thousands of years.

Across the surface, fine pale lines loop and arc, circles within circles, ribbons that meander and double back. These are the bones of the painting: pathways, meeting places, the contour of a hill, the curve of a waterway. Beneath and around them, a dense field of dotwork dissolves into haze, evoking spinifex plains, ash on earth, or the speckled light of a tropical sky thick with insects and moisture. The composition resists a single reading. Look once and the loops feel like aerial maps; look again and they suggest rock holes, gathering sites, or the soft impressions left where bodies have rested on warm ground.

This painting belongs squarely within her Ancestors conversation, markings made on the land over millennia, entangled with the patterns that cover it today. The faint waterways winding through the canvas trace the route of her Gurindji forebears from Katherine through the desert toward Mount Isa, a constant current beneath shifting surfaces.

Raised in Darwin and immersed from childhood in the primal weather of the tropical north, the artist works in a visual language she calls the language of the earth, every crack, ripple and dune a sentence in a story older than memory. Here, that language is spoken softly. There is no thunder, no flame; only the steady murmur of Country remembering itself, and a daughter listening carefully enough to write it down in paint.

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  • Cotton Rag Framing

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